There is a new language of photography, and the recipe for effective communication lies in seven principles

 

Chosica, Peru, 33km from the center of Lima, March 2015. It started with torrential rain in the mountains, followed by a wall of mud that slid around half a mile down a steep slope, crushing and destroying everything in its path, forcing hundreds of people to leave their homes, most of which were destroyed.

In the picture below, a man is sitting on a massive pile of stones in front of two trucks, holding his head in his hands and staring at the apocalyptic scene in front of him. Who is he? A husband? A father? What has he lost? His house? His job?

Lurigancho-Chosica is a district known for landslides, many of them attributed to El Niño. Local villagers used to call it “landslide season” - but in recent years these episodes have become more frequent and violent.

This single photo is suggesting “Yes, this story is about climate change”; it is telling a true story about someone who has been affected by climate change, a story that we can connect with, emotional and touching, that helps make this event feel closer to us.

In this dramatic landslide, working life has literally ground to a halt, and the vulnerability of everyday practices is made clear. Images like this show large-scale disruption through the eyes of a handful of people, which our research suggests is likely to be an effective way of connecting with viewers.
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WHAT IT SHOWS: Flash flood landslide in Peru.<br /> <br /> Photo by Alberto Orbegoso (CC BY 2.0)<br /> <br /> <a target="_blank" href="https://www.flickr.com/photos/92793865@N07/16741288888/">Original Image &amp; License Information</a>
In this dramatic landslide, working life has literally ground to a halt, and the vulnerability of everyday practices is made clear. Images like this show large-scale disruption through the eyes of a handful of people, which our research suggests is likely to be an effective way of connecting with viewers.
Photo by Alberto Orbegoso (CC BY 2.0)

Peru, Colombia, Thailand, China - we can find human stories of a changing climate everywhere in the world. Why then do we keep seeing polar bears and melting glaciers in the media, like a video stuck on repeat? Yes, global warming is a threat to the most iconic animal for climate change - always on the front line of every photo story, but isn’t it time to remake the visual representation of climate change in the public mind?

Images of melting ice have become one of the 'classic' climate images, and are therefore recognised as such. Arctic sea ice is not a local or familiar terrain for most people, so it is unlikely to connect with their everyday lives. However, showing people authentically at work (collecting scientific data) is the most effective way to bridge the gap between a distant impact and the viewer.
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WHAT IT SHOWS: On July 12, 2011, crew from the U.S. Coast Guard Cutter Healy retrieved a canister dropped by parachute from a C-130, which brought supplies for some mid-mission fixes.
The ICESCAPE mission, or "Impacts of Climate on Ecosystems and Chemistry of the Arctic Pacific Environment," is NASA's two-year shipborne investigation to study how changing conditions in the Arctic affect the ocean's chemistry and ecosystems. The bulk of the research takes place in the Beaufort and Chukchi seas in summer 2010 and 2011.<br /> <br /> Photo by NASA/Kathryn Hansen (CC BY 2.0) <br /> <br /> <a target="_blank" href="https://www.flickr.com/photos/gsfc/6151061573">Original Image &amp; License Information</a>
Images of melting ice have become one of the 'classic' climate images, and are therefore recognised as such. Arctic sea ice is not a local or familiar terrain for most people, so it is unlikely to connect with their everyday lives. However, showing people authentically at work (collecting scientific data) is the most effective way to bridge the gap between a distant impact and the viewer.
Photo by NASA/Kathryn Hansen (CC BY 2.0)

What is the recipe for successful visual communication? Climate change is a human story, that’s why it’s crucial to tell stories about people. And for this reason, images have a crucial role to play - to succeed, communicators need to put people right at the heart of their visual communication strategy. Our evidence-based 7 principles for creating new, more diverse visuals stories of climate change are:

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During our inaugural masterclass - to be held on 4th September in London - we will help communicators to start thinking about a different visual approach to use when they’re creating content - for a campaign, a news story, a social media post, or an event to engage a local community.

"I'm excited to bring together our first Climate Visuals Masterclass so that we can work together towards a new visual language for climate change, “ says Adam Corner, Climate Visuals Project Manager and Research Director at Climate Outreach. “Climate change will define the 21st century, but we need a visual vocabulary that can express this - and a more diverse visual language will help catalyse public engagement."

In our research, we found that people do not necessarily understand the links between climate change and their daily lives - such as driving a car or eating a large plate of meat - rejecting the idea that images of their normal lives could or should be associated with climate change.

“To get real reaction on climate change, people have to see that it relates to them, whether it’s a longer allergy season, higher insurance rates or cheap solar power. Pictures that tell that story can help drive the change,” spotlights Laurie Goering, Climate Change Editor at the Thomson Reuters Foundation in London, and one of the guest speakers during our event in London. But climate change is still an enormous and complex network of causes and effects that most people are unable to directly perceive. But what should we do to communicate this issue more effectively?

People displaced by the 2010 flooding in Pakistan collect clean drinking water from a tapstand in the town of Ghari Kharo, in western Sindh Province. UKaid funding from the British government's Department for Intrernational Development is helping the NGO Mercy Corps deliver clean water and sanitation facilities to over 160,000 people in Sindh, as they return home to destroyed houses and partially flooded communities and agricultural land. In some parts of Sindh the water may take many months more to fully drain away, despite the flooding originally occuring in August and September 2010. More than 20 million people were affected across Pakistan, making the flooding possibly the single biggest humanitarian crisis the world has ever seen.
Our research found that while localised impacts can be powerful, it is important to show the scale of a flood's impacts. People seeking clean water in the foreground add the human element to connect with the viewer.
Photo by DFID Russell Watkins (CC BY 2.0) 

"Climate change impacts many aspects of all of our lives, but the visuals used to illustrate this key point are often stuck in the same clichés. How well photographers, editors and communicators expand the visual language of climate change impacts, causes and solutions, will have an impact on generations to come," outlines Robert van Waarden, our Canadian-based photography advisor, who has turned his lens on climate change. "Photographing the issues that define climate change is a tricky bridge to walk. Do we shock? Do we encourage? Do we focus on the same stories or push new ones? Who is our audience, how is it presented? These questions should be answered before choosing or commissioning visuals for any form of communication."

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Our research confirmed that images like this - of ordinary people being affected by the impacts of climate change - are likely to resonate with viewers. 
Photo by USDA (Public Domain)
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This is a dynamic photo, where the perspective includes the viewer in the scene. It shows real people, working pro-actively towards flood protection. 
Photo by ADB (CC BY-NC-ND 2.0) 

No matter how much time and effort we put into our news story or campaign, if we don’t use the right image, we will never create a connection with our audience and our visual story will undermine the power of the written copy.

"I'm interested in the story we're telling ourselves about climate change,” explains Robin Webster, researcher and co-author of our original report. “In a digital world, the images we use are a massive part of that. The question is, have we thought about what ranks of chimneys, melting glaciers, flooded towns, wind turbines and polar bears actually mean to people? Are we making climate change feel even further away from people's day to day concerns by unthinking use of the same pictures? The iconography of climate change is stuck in a rut, and it needs to get out of it fast."

During our masterclass, participants will gain an in-depth understanding of the Climate Visuals approach, and learn skills to design and deliver effective communication through climate photography. We will also explore how to apply this learning by critically exploring case studies and previous campaigns. On top of that, we will hear from a variety of experts in different fields, providing different perspectives and tried-and-tested advice on the challenge of telling powerful visual stories on climate change.

Participants in our discussion groups responded to images that portrayed a contrast of some kind, and the contrast in this image is twofold: between the vibrant colours of the 'beach' and the metallic greys of the oil refinery – and between the polluting chimneys and a tropical beach holiday scene that many people aspire to. This image tells a compelling multilayered story.
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WHAT IT SHOWS: "Baby Beach" with oil refineries in the background, Aruba.<br /> <br /> Photo by Spencer Thomas (CC BY 2.0)<br /> <br /> <a target="_blank" href="https://www.flickr.com/photos/spencerthomas/394209399">Original Image &amp; License Information</a>
Participants in our discussion groups responded to images that portrayed a contrast of some kind, and the contrast in this image is twofold: between the vibrant colours of the 'beach' and the metallic greys of the oil refinery – and between the polluting chimneys and a tropical beach holiday scene that many people aspire to. This image tells a compelling multilayered story.
 
Photo by Spencer Thomas (CC BY 2.0) 

“It’s sometimes hard to picture what climate change looks like,” highlights Laurie Goering, “until you consider that it’s in front of most of us every day, in everything, from more heatwaves and worsening floods to electric buses and jobs installing solar panels. It’s time to move away from photos of smokestacks and polar bears and tell that broader story that more people can relate to.”

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