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Picturing a well-adapted UK

By Alastair Johnstone-Hack on May 20, 2026

General view of the Grey to Green development in Sheffield, South Yorkshire, UK. The Grey to Green development is the UK’s largest retrofit SuDs scheme and has created a network of new paths and cycleways, transforming an area that was previously tarmac into a green public space and helping to deal with floodwater and run-off as well as providing shade and increasing biodiversity. Photo credit: Alastair Johnstone-Hack/Climate Visuals

We’re all ever-increasingly familiar with images of climate impacts, across the UK and globally, but visualising what the future looks like in the face of a changing climate remains a significant photographic challenge – and opportunity.  

Today, the Climate Change Committee (CCC) has released their Well-Adapted UK report, a comprehensive look at the climate risks facing the UK, and how government should prepare for and respond to them. Climate Visuals worked with the CCC in the production of the report, providing a selection of images to bring home the challenges that the country faces whilst also illustrating what a well-adapted UK might look like. 

Working with images from our own library as well as from other providers, we curated a collection of photographs highlighting the risks and solutions detailed in the report. These images, from across the country and used throughout the report, highlight examples of climate impacts affecting communities now. They starkly show the realities and effects of flooding, extreme heat, drought, wildfires.

Firefighters from Cheshire Fire and Rescue service work to tackle a large moorland fire near Errwood Reservoir in the Goyt Valley, near Buxton in the Peak District. Derbyshire, England. 3rd May 2025. Photo credit: Alastair Johnstone-Hack/Climate Visuals
General view of low water levels in Woodhead Reservoir, Derbyshire, following the driest spring in England since 1893. The reservoir supplies water to Greater Manchester. June 15 2025. Photo credit: Alastair Johnstone-Hack/Climate Visuals

These images of climate impacts were set alongside others of potential solutions, including deployable flood barriers, re-wetting of upland peat areas, urban greening, community agriculture and infrastructure development to protect rail lines from coastal development. These images help audiences to understand what adaptation looks like in reality – and see the work that is already underway up and down the country. 

Victoria harvesting chard on the Regather Farm near Sheffield, UK. The Regather Farm is a 15 acre organic farm on the outskirts of Sheffield. It is run by Regather, a community benefit society working to improve food and build community in Sheffield. They also run a veg box scheme, and deliver flowers across the local area, supplied by the farm, and many other community projects. Photo credit: Alastair Johnstone-Hack/Climate Visuals

We know from our research at Climate Outreach that helping audiences to understand what concepts such as adaptation mean is essential. Photography can help bring them to life, making them relatable and understandable. Our Climate Visuals evidence also shows us that images depicting climate solutions are well received by audiences. Pairing these with photographs of impacts can be an effective way to help audiences see their place, and a constructive future, in what might otherwise be quite overwhelming imagery that is difficult to relate to their own lives.

Despite the opportunity that constructive climate imagery brings, impact photographs still dominate the visual language of climate change. In many ways this is unsurprising – the scenes depicted are often visually striking and emotionally powerful, following a well-worn tradition of what makes for impactful photojournalism. In the face of a crisis where it’s difficult to comprehend scale, images of impacts represent instances of this crisis colliding with an everyday reality, functioning as a form of evidence or even proof. In comparison, images of measures to adapt to climate change are often technical, static and lacking in humanity. This makes them immediately less interesting and engaging, whilst also feeling more abstract and harder to relate to. 

This is not to say that images of climate impacts aren’t vitally important – they are. But limiting the visual depiction of climate change to its impacts misses an opportunity to engage audiences. The CCC report highlights the “opportunity to show that government can create change for the better”. Photography has a role to play here too. By revealing what this change looks like in real people’s lives, photographs can build comprehension and understanding and ground abstract terms in real-world experience. 

To achieve this, we need more of the right images, images of communities working on, and benefiting from, measures to adapt to our changing climate. We need to photograph a diversity of stories that highlight what this looks like in practice, and what’s possible. We need to highlight climate impacts, but not stop there, instead combining the urgency and emotion of these images with photographs that look forward – helping audiences to imagine a well-adapted future and their place in it. 

Our Climate Visuals library contains many images that do this, including a wide range that are freely available for non-profit, educational and editorial use. We can also help your organisation with photography commissioning, picture research and curation to help you to tell a more complete climate story with photography. 

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By Alastair Johnstone-Hack

Alastair is the Climate Visuals Manager. With a background in photojournalism, he is particularly interested in how you tell stories through photography, and how viewers interact with photographs.

Prior to joining Climate Outreach Alastair was a picture editor at The Times and The Sunday Times newspapers, working on domestic and international news photography. Before this, he trained in photojournalism at the London College of Communication and worked as a newspaper photographer.

Alastair is happiest when taking photographs and riding bicycles, often at the same time, ideally up a hill.

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